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Although there are exceptions, many of the Marton Collection paintings are from the first half of the nineteenth century and belong to the Biedermier period. In terms of paintings, the progression towards the Biedermeier style has a number of recognizable characteristics. For example, it brought a change from Neoclassical composition to direct observation, from the heroic gesture to sober objectivity. The "Great gesture" was abandoned in favour of a direct rapport with the subject, whether portrait or landscape. This artistic approach is very logical and understandable if we remember that these paintings were primarily created for the independent middle class.

While late-baroque portraits primarily focused on showing the sitter's status, Biedermeier negated the social distance between artist and sitter. This equal status permitted a more complete psychological contact without flattery. The most common Biedermeier portrait is the frontal bust slightly smaller than life size. Another type of portrait, the miniature, had been popular for a long time and went through its last surge in this period before the advent of photography. Many artists considered to be forerunners of this emerging style came from present day Austria. These artists, and to a lesser extent those from Bohemia, duly influenced Croatia while travelling and working in the region. In that early introductory period, executed portraits made the transition from late-baroque to Biedermeier, a style corresponding to Vienna Biedermier, although limited by the potentials of these aforementioned 'itinerant' artists.

We are proud to confirm that the paintings of the Marton Museum collection maintain a strong link to the country in which the museum is located. Indeed, not only are the paintings a treasure trove of information regarding Croatian nineteenth century painting, but many of the paintings were actually acquired in Croatia itself.

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Over the years we have reported several times on crimes and violence related to sneaker releases and the sneaker scene in general. Where there is money to be made, you can be pretty sure that sooner or later there will be people that want to take it from you. Focus Films presents Kicks, a film about sneaker violence and much more.NIKE AIR FORCE 1 FLYKNIT “When his hard-earned kicks get snatched by a local hood,NIKE AIR MAX 2017 fifteen-year old Brandon and his two best friends go on an ill-advised mission across the Bay Area to retrieve the stolen sneakers. Featuring a soundtrack packed with hip-hop classics, Justin Tipping’NIKE AIR HUARACHEs debut feature is an urban coming-of-age tale told with grit, humor and surprising lyricism.”NIKE AIR FORCE 1 HIGH CHEAP The story is based on an experience that Justin Tipping,ADIDAS ALPHABOUNCE the director of the film, had. He purchased a white Nike Air Presto and was jumped by several guys and got his sneakers stolen. Of course his film is much more than a boy-meets-shoe, boy-loses-shoe,MBT KIMONDO MEN boy-gets-shoe-backstory. Brandon,MBT Flame Chaussures the main character in the film, gets his brand new Air Jordan 1 Retro “Bred” stolen and the film tells the story of him and his friend’s tale trying to get them back.NIKE AIR JORDAN RETRO 5 The result is a quintessential urban American tale, a subject that is relevant and real for today’MBT KIMONDO GTX MENs American youth. Here below you can watch another clip of the upcoming movie.NIKE AIR HUARACHE CHAUSSURES Kicks hits theatres September 9. Source: The Guardian .